Tag Archives: Hull event

Walking in memory of my Nana

I’ve done the 5k Race for Life three times now, every time supported by my ever-motivating friend Emma. But this year, I’m joined by Emma and her two kids and Jo and her daughter for a different 5k. We’re walking this one, all in aid of Alzheimer’s Society.

The Race for Life was more of a challenge with the charity elements being a bonus. The race is held at the end of the school year, usually on a really hot day and Emma and I would train for five months beforehand. Pregnancy and sleepless nights have reduced the amount of training we can do – basically, Emma’s knackered and I have no motivation to run without her. I hate running. I do it for Emma and because there’s a deadline and after that I don’t have to do it again for a few months.

Before - not so sweaty
Emma and I at one of the Races for Life. 

There wasn’t the passion either for the charity. I have had relatives and friends who have died from cancer, but I give to other cancer charities quite a lot. And so, this year, because we couldn’t manage to run the Race for Life, we decided to try something different.

We still wanted something physical, something where we weren’t just chucking money at a charity, and something we could do together. And then a Facebook advert popped up for the Alzheimer’s Society Memory Walk.

And this is where my heart was stolen and I signed up pretty much instantly.

My Nana, who I am named after, died some years ago. Most of memories of her are of a strong woman. We called her Funny Nanny because she was quite forgetful and sometimes she would slip into German, often when angry or frustrated, which as kids we found humorous. This forgetfulness was down to the removal of a brain tumour – I have no memories of her before the tumour. We were used to it.

But then she started to forget more and more things. We were used to her forgetting that we were coming round for a visit, but she would quickly remember that that was why she’d bought in a cake or put the kettle on. It was very short-term. When she couldn’t tell the difference between my mum and my auntie, we did get worried. And when she’d forget that she’d already been shopping that day, we got even more worried.

And when she was diagnosed with dementia, we realised that she needed us more than we could have known. My mum and auntie did the very best they could to maintain her independence, but she just got too bad. Putting her in a nursing home was devastating, but the best we could do. And it was in doing this that we saw how bad it had been. Nana had stored hundreds of bedding sets, most of which were still in their packaging. She’d become obsessed with getting a good deal on household items, mostly ones she didn’t need. She had four kettles in her wardrobe.

The worst was at the end. She didn’t recognise her daughters – I became both of them in one day as she tried to work out who I was. She got angry really quickly. She was frightened but couldn’t tell us why.

My Nana became a shell of herself, stripping away every aspect of her personality that we loved.

For me, the worst was watching how it broke my mum. I could use sarcasm to counterattack when Nana got angry or argumentative, but Mum couldn’t. She spent every minute, when she wasn’t working or sleeping, with her mum. Her life fell apart because her mum’s life had fallen apart.

And this is why I’m walking in memory of my Nana on the 10th September.

I’ve never walked in memory of a single person when doing the Race for Life. But this one is so close to my heart that I couldn’t say no.

And I am so glad that Emma, Jo and their little ones will walk this walk with me. It’s made us all talk about Alzheimers, whether or not we’ve experienced it.

My mum still gets choked up when talking about Nana in that last year, but she’s getting stronger. Her main fear is developing it herself – that it’s genetic. And so, although I will walk in memory of my Nana, I will also walk in the hope that the research Alzheimer’s Society do will help my mum find answers, deter the disease and stay the strong, independent woman she is.

And I’m asking anyone who can help to donate – any amount, no matter how tiny. Click here to donate to my JustGiving page. I appreciate every penny in this fight for a future full of happy memories.

 

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Finding the Right Words | Hull Language Cafe

Hull, like most cities, is home to a mixture of people. And every other Wednesday evening there’s an event which invites many of these people to share in the delights of their varied personalities.

A year and a half ago, Hannah Shaw decided to start a Language Café in this city where so many cultures live side by side. She got the idea while travelling in Europe, an opportunity undertaken through ERASMUS.  Living abroad, these events seemed common, and offered a chance for someone new to the area, and not always confident in the native lingo, to meet new people and immerse themselves in both the language and lifestyle.

Upon her return, she realised that Hull didn’t have anything available to the general public in the way that they were so readily available in mainland Europe. So, she set one up.

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 “The cake helps!”

Originally held at Wagons on Princes Avenue, it then moved to the intimate Lydia’s Cakeaway on Newland.

The venue is quaint and simple, and what makes it truly splendid is that it is open solely for the purpose of the Language Café on these nights. From 7pm to 9pm, people from all over Hull come to drink tea, eat cake and discuss whatever they feel capable of in whichever language they choose. Whether you’re studying a language, reengaging with a lost language or are holidaying soon and want to learn some useful phrases, you are made welcome at this fortnightly gathering – which has been known to get very busy, as Hannah described nights where there had been standing room only and she was filled with guilt as people turned away.

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“Friendships have been made here.”

When you first enter, the room is flowing with conversation. Some you can pick up; other segments are lost in a language you may not know. You’re given a sticker on which is written the languages you wish to practise: some have one language, while others have two or three. There’s tea, coffee and delicious tempting cakes.

The crowd is one which quickly feels friendly. On my first Language Café night, I was quickly invited to join the main group. It was a quiet night – the university students on a break – and I was nervous about testing out my shaky language skills on strangers. But after a few minutes of chatting in English, we launched into a conversation in German, learning about each other in a language in which I was once fluent. I wasn’t anxious for long, and, although my German is very unstable, I found I was laughing at the jovial stories and enjoying the broken flow of words. We stumbled over vocabulary, we jumbled the grammar somewhat, but we successfully managed a conversation almost entirely in German.

And two Wednesdays later, I was filled with anticipation as I took those steps along Newland Avenue. The lure of using my language skills again stronger even than the desire for a cupcake of some ingenious design.

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“This is migration to Hull.”

There are people of all ages and nationalities who attend. When asked how many languages she’d encountered over the eighteen or so months, Hannah stumbled. She rattled them off: French, Spanish, Italian, Chinese, Persian, Thai… languages spoken by people from Europe, South America, Asia… A true mixture and a reflection of the diversity in this small city.

Most advertising is done word of mouth. There’s a Facebook page and events are set up in time for each event. There’s the board in Lydia’s with the necessary details. But from that point it is people like myself who have attended for a few nights and then shared their experience with friends and family.

We all share language. Not everyone has the desire to learn several, but what can be enjoyed on the night is this one thing which joins us all together. The crowd not only share their knowledge but also their experiences and their differing cultures. People gather with the confidence that they will not be judged, that we are all there to enjoy this same thing and learn with enthusiasm.

The next meeting is Wednesday 8th June.

 

Originally written for Browse Magazine, culture section.

Hull Help For Refugees Fundraiser | 04.05.16

Hull Help for Refugees are always doing what they can to ensure they live up to their title. Last month, I visited their Spring Fete, and this month I was delighted to attend their Hull & East Riding Ukulele Night, hosted at Kardomah94.

It was an early start, and one I welcomed on a Wednesday evening. The sun shining outside, some would question the decision to enter the darkened back room of this venue, but with such lovely people inside it was impossible to stay away.

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I was welcomed by friends I’ve met through working with Open Doors Hull, a charity which aims to support asylum seekers, refugees and migrant workers in the city, and sat amidst the busy room of personalities. It was the most bustling I have seen the venue, which I visit regularly for gigs and events.

There was an instant buzz, and during the first ukulele band – 13 members crowding the stage – the audience was clapping, singing and bouncing along. It was a fantastic way to start the evening, lifting the weight of the working day from our shoulders and bringing the entire room together.

Next up was a poet, Johanna, who read three poems: one about her husband’s job as a tanner in Hull, which had the crowd laughing; a more serious poem entitled “Refugee Baby” which fitted into the theme of the night; and her poem “On The Beach” which lifted the mood once more.

Another large ukulele group then took to the stage – apparently you can only Uke in large groups – and performed a range of songs which suited the diverse audience. I particularly enjoyed their use of the kazoo – well, four kazoos to be exact – which they used in a couple of tracks.

We were then entertained by a local theatre group who performed a snippet of their new production “Last Panto in Little Grimley”, which will be performed at the Lord Mayor’s Gala.

The final ukulele band performed after a short break, performing a full range of tracks. We’d enjoyed everything from ABBA to Bowie to “I Wanna Be Like You” from The Jungle Book. And, as with the other bands, the entire room came together as one. It was wonderful to hear the acoustics of the room: the bass generated as people tapped their feet and vocals creating a 3D effect as they harmonised concurrently around the room.

 

What the evening was about was raising funds and awareness for the charity. I am delighted to announce that £690 was raised on the night, through ticket sales and donations.

But that is just a segment of what is needed. The current aim of the charity is to send a container to Athens to support the increasing number of refugees seeking safety here. It’s still possible to support the cause:

  • Donations of tents, gazebos, sleeping bags, clothing for all ages, food packages, sun lotion, toiletries and baby supplies are needed to fill the container. Donations can be dropped off at either UNISON 39, Alfred Gelder Street (Monday to Friday 9:30am-4:30pm) or Kingston House 50/54, Bond Street (Saturday & Sunday 10am-12pm).
  • Cash donations can be made payable to UNISON REFUGEE FUND (cheques) or via the gofundme page.

You can read more about what the charity is doing to support people here and on their Facebook page.

Electrifying and Thunderous: The Loudhailer Electric Gathering #1

A kaleidoscope of colours, sounds, personalities and guitars: the Loudhailer Electric  Gathering was a night to evoke the imagination.

Warming Kardomah94 from 8pm was Cathy and Dez Allenby, a former third of folk acid trio Forest. Armed with a range of instruments, including a shruti box which was introduced to us, their performance was a mixture of Forest tracks from albums Forest and Full Circle. The room was filled with an ethereal sound which always brings to mind the fairy tale element of folk music, but with a clear modern overlay. Cathy and Dez’s vocals worked wonderfully together, to the backdrop of a haunting tone from the instruments.

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I was struck with awe by how fluidly Dez worked all the instruments, admitting that he couldn’t manage the bouzouki and the whistles used in one track. His harmonica balanced around his neck, he switched between bouzouki and English concertina, adding percussion where he could. I loved that each song had its own clear sounds, demarcated by each musical instrument.

For the second part of their set, they invited Lou and Rich Duffy-Howard up on to the stage with them, adding an enriched sound with Rich’s guitar and the beat of Lou’s bass. Des himself summarised this modification when he told the crowded room “We’re all peace and love and things. But we’re all rockers at heart.”

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The sound was further amplified when Lou and Rich returned to the stage – a wardrobe change and mixture of faces as Loudhailer Electric Company started their set. Ignited by the lightshow from Josh Bell of L.A.D. Events Limited, Lou and guitarist Jeff Parsons, clad in a bright pink two-piece, were luminous on stage.

Jeff Parsons LECo

Electric and Loud are two words which certainly suit the band – not only in image but in their sound. The room was rocked with from the first track On The Run, “a murder song” we were told by Rich, to their en core, a cover of Jefferson Airplane’s ‘White Rabbit’ which Rich declared was in tribute to “Paul and Grace” of Jefferson Airplane.

With members of former bands such as Dead Fingers Talk, Red Guitars and Planet Wilson, I knew the night as going to be fuelled with energy. What I hadn’t expected was to be quite so caught up in the verve. Lou’s constant smile was captivating, their enthusiasm as they performed songs about mental health and travelling to the Adelphi on a bus from Holderness was captivating. I’d fallen somewhat into a winter slumber over the past couple of months, but this gig has certainly woken me up.

Lou Duffy-Howard LECo

My favourite track changed from one to the next as they worked through the setlist. I have to say that Out To Sea was my favourite of the night: featuring all the sounds of Folk and Rock music that I adore. The searing guitar in the arms of master Jeff Parsons, the heavy beat of Rich Walker’s drums, Rich’s soulful harmonica and Chris Heron’s sweet violin all working in harmony with Lou’s powerful vocal leadership was mesmerising. Together it produced something which literally moved me, forcing me to react even in this seated venue.

Rich & Lou LECo

I found Loudhailer Electric Company difficult to compare to any other musician. With such an eclectic array of influences, all of which you could taste in their tunes, they’ve developed a powerful sound which is entirely their own. Mesmerising instruments – the backdrop to the stage a line-up of them – were used to tell enticing tales through the voices of such electric personalities.

If you do nothing else this year, get yourself to another of their Psychedelic Gatherings and enjoy their sound for yourself. I know I aim to be there at Gathering #2.

Jeff Parsons, Lou Duffy-Howard, Rich Duffy-Howard, Rich Walker, Cathy Allenby, Dez Allenby, Chris Heron
Jeff Parsons, Lou Duffy-Howard, Rich Duffy-Howard, Rich Walker, Cathy Allenby, Dez Allenby, Chris Heron

All photo credit goes to Paul Newbon. 

Frankie & The Heartstrings, Night Flowers and Carvell at Adelphi 02.10.15

Weary from the working week, I found myself slogging my way down to the Adelphi for a night of music. A night of music I had been anticipating since the initial announcement that Frankie & The Heartstrings were opening their tour in our fair city.

It was silly of me to ever doubt the joy in which a Frankie gig can bring. The Adelphi promised “3 of the best” and they certainly delivered.

Carvell
Carvell

First on the stage was a band you’ve probably yet to hear. If you check out Carvell on Facebook or Soundcloud, you won’t find much. That’s because the band are relatively new, bringing their live debut to Hull after signing with a major record label you may well have heard of. A London-based four-piece, their sound is that of a guitar-fronted rock band, a beat catchy enough to get your foot tapping from the outset. And though you catch onto the instruments quickly, you can’t as quickly snap up the lyrics and sing along too easily – leaving you wanting to find more about them. Not being able to go home with a CD so that soon you would be quickly singing along at a gig would certainly have disappointed some members of the audience.

They concluded their set with what will be their first single, ‘Sway, which they aim to release imminently. It starts with a simple guitar introduction, building the noise quickly before calming down just enough to allow the vocals to lay atop the sound. Each instrument held its own, clearly visible in the ensemble, while also working well to generate the sound which will likely define this band.

It was a sound which pumped into the audience, a scattered crowd which grew in size as the band performed, and was received with loud cheers. A debut which showed some nerves – the bassist kept to his end of the stage with an air of anticipation. But it was a debut which held a lot of promise. I can imagine their sound permeating the charts, that relatable rock with choruses has you unconsciously singing on the bus.

Carvell
Carvell
Night Flowers
Night Flowers

Next up was Night Flowers, a band with origins in Humberside but a base currently in London. With two lead vocalists, the male, Greg Ullyart, commented on how good it felt to be back performing at the Adelphi, whereas the female, Sophia Pettit, expressed increasing joy at her first experience in the iconic venue. If you’ve seen the band perform before, you may be surprised to see the addition of Sophia – this was my first time, and I certainly enjoyed the energy and enthusiasm she brought, alongside her melodic vocals.

The level of energy grew quickly throughout the night, the engagement with the audience increasing. The entire room moved to the music of Night Flowers, and within the one set the toilets were discussed, Ronnie Pickering brought up, and the room sang “Happy Birthday” to the Adelphi along with the band. Even if I hadn’t thoroughly appreciated their sound, I certainly enjoyed their banter.

Night Flowers
Night Flowers
Frankie & The Heartstrings
Frankie & The Heartstrings

What I love about Frankie & The Heartstrings is the sheer frivolity in which they perform. It’s a playfulness which seeps out of their records, forcing you to be in a good mood. If only they could perform for us all every Friday evening!

They played all their classic tunes from previous albums as well as the very best from third album ‘Decency’ for which the tour is promoting. This included title song and opener ‘Decency’ and their next single ‘Money’, not to be confused with a single by a Hull band who appeared at the front of the crowd.

Frankie introduces the band's new bassist
Frankie introduces the band’s new bassist

Frontman Frankie moved across stage, stretching into the audience and inviting them to sing along. We filled the room, moving with the band. A gaggle of lads before the stage had been chanting “Sunderland” all evening, and were fortunate enough to receive a song dedicated to them (with a plea to quit the chanting). I even spotted Frankie and drummer Dave Harper posing for the cameras which circled them, eager to catch the fast-paced musicians as they performed.

Frankie
Frankie

I was particularly excited by the end of their set, when they performed two of my favourite Frankie tracks: ‘Think Yourself Lucky’ from the new album and ‘Fragile’ from first album ‘Hunger’. I even had to put my own camera down for ‘Lucky’ watching to see if the moves from the track’s music video were engrained in those band members holding guitars – indeed it seemed to be as Ross Millard and Michael McKnight moved almost in sync, while the new bassist remained somewhat more static – and dancing with equal energy myself.

It’s impossible not to feel elated when Frankie & The Heartstrings are on stage. They are everything wonderful about live music: fantastic tunes, glorious banter and more energy than a hummingbird after a can of Red Bull.

And though I had started the night feeling lacklustre, by midnight I was exhilarated. Many went on for more, spending that vigour in the various bars along Newland and Princes Ave.

If you haven’t caught them yet, get yourself to a Frankie gig. They’ve only just started their tour!

3 Frankie & The Heartstrings @ Adelphi 02.10.15

Friday 09.10 – Sunflower Lounge, Birmingham, UK

Saturday 10.10 – Hackney Wonderland, London, UK

Tuesday 08.12 – Rock City, Nottingham, UK  (with The Charlatans)

Wednesday 09.12 – Tramshed, Cardiff, UK  (with The Charlatans)

Friday 11.12 – Nick Rayns LCR, UEA, Norwich, UK  (with The Charlatans)

Saturday 12.12 – O2 Academy Birmingham, Birmingham, UK  (with The Charlatans)

Monday 14.12 – Usher Hall, Edinburgh, UK  (with The Charlatans)

Tuesday 15.12 – Caird Hall, Dundee, UK  (with The Charlatans)

Thursday 17.12 – O2 Academy Newcastle, Newcastle Upon Tyne, UK  (with The Charlatans)

Friday 18.12 – O2 Academy Liverpool, Liverpool, UK  (with The Charlatans)

Saturday 19.12 – O2 Academy Brixton, London, UK  (with The Charlatans)

Freedom Festival 2015 – in summary

The things which made my weekend:

It won’t strike you with much surprise that my highlight of the weekend was Streaming Lights.

When the initial programme came out, I was convinced that I would be camped outside the Yellow Bus Stage for the headline slot. And at 9:45pm I was stood clutching the barrier at the front of this stage, with thousands stood behind me watching the amazing Public Service Broadcasting.

At 10pm, however, I was twisting my way out from this crowd and into the one which had already formed in front of the Fruit Trade Music Stage.

And boy was I glad to have made this decision. Everyone I’ve spoken to said how amazing Public Service Broadcasting were, and I have no doubt in this, but anyone who saw Streaming Lights was saying the same thing. Every time I see these guys, they grow stronger. Their music is utterly fun, their energy unrelenting, making for a fast-paced and humorous set. Between Ryan’s intoxicated fist pumps to the guy in the audience who took control of the audience in chants and calls, this was a set which didn’t pause even for a breath. My chest hurt from laughing so hard, but the night ended on a high.

Streaming Lights - Steve & Ryan Streaming Lights - fist pump

I caught the end of Urban Astronaut on the Saturday as I headed down to the Marina. Performed by members of Highly Sprung as part of “Gone in 20 Minutes”, they told the story of the planet destroyed. The crowd was so dense however, that I could only see so much, though watching the Astronaut spinning in the air was quite fascinating.

Spotting the set up for this performance on Sunday, I parked myself on the floor and joined the front row for the entire set. With a two year old on my knee, we watched and took photographs as the story unfolded in full. In short: the atmosphere has turned toxic, leaving the ground barren and the air dangerous to breathe. A girl wearing a dress which reflected the summer sky set the stage, forming a circle with dirt and ‘planting’ flowers around. “Look after this for me,” she asked my toddler friend, engaging with key members of her audience. From up King Edward Street, four masked figures rolled a contraption which held the Astronaut in place. He bounced up and down, launching into the air above spectators’ heads. This brought more and more people. Their dance continued as a diet, the Astronaut fearing the girl who tried to comfort him and show him that life can survive once again on Earth.

It was amazing to watch as the Astronaut launched into the air, sailing above the audience who watched in awe. Children and adults alike seemed to watch with the same intrigue.

There was the chance to vote for your favourite of the “Gone in 20 Minutes” performances. However, I was watching so intently that I didn’t note the code and number down to text my vote. And the crowd dispersed so quickly that I couldn’t catch someone to ensure this was done. I’m not even sure how I check which performance won, but if it wasn’t this one then those I missed must have been extraordinary!

Urban Astronaut - Freedom Festival 2015 Urban Astronaut - Freedom Festival 2015

Taking kids to one of the days meant that I got to experience those attractions where a single lass may not be overly appreciated. “Mums and dads” were welcomed to join in with their offspring in Tangle, and so I joined two friends and their toddlers. And in doing so, I saw how this was both a wonderful idea for kids and also something… well, not. One of the little ones was just tired enough to be overwhelmed by the whole thing; surrounded by people in an environment she wasn’t used to, a tantrum ensued. Her little friend, however, enjoyed it so much that I was literally dragged back into the queue so that we could have a second go.

Such a simple idea, this was great fun and produced a colourful piece of art when complete. Absolutely loved it, and so did most of the children who joined in.

Tangle - Freedom Festival 2015 Tangle 3

Things which didn’t work for me:

The World Village Market didn’t really seem all that worldly. I saw a range of food stalls which offered cuisine from around the world – Turkish kebabs, French crepes, Chinese noodles and some delicious hot and spicy Indian curry – but little by the way of worldly goods. Considering the theme is Freedom, I would have expected more Fairtrade stalls. There didn’t even seem to be the usual extent of local stallholders as usual. Perhaps simply worded incorrectly, but I just didn’t agree that this aspect of the festival was achieved.

More of a niggle than a criticism, there were often huge crowds for events which were quite obviously going to be popular. I missed out on seeing Faust because the crowd was already six-deep when they started. I’ll accept some of the blame, as I’d not kept track of time as well as I should have to get myself to the front of the queue, but a larger space or some seating at the front of the crowd would have solved this. The Yellow Bus Stage were no longer using their deckchairs: could these have been put to use here?

I think this is something the festival-goers need to consider next year. But also something which the organisers could give some more thought to. Many of the attractions were repeated over the weekend, but sadly Faust was not one of these.

New acts I now follow:

I caught two new acts performing on the Bridge Stage on the opening night of the festival, catching the end of their sets as I wandered over to enjoy local bands I have seen many times.

Scarlet Riot - Freedom Festival 2015

The first was Skarlett Riot, a Scunthorpe-based rock group. Frontwoman Skarlett was wearing a rather impressive outfit. Their sound is reminiscent of the wonderfully heavy nu-metal and punk rock of the 2000s, guitar-fuelled and aggressive while still rhythmic enough to move to. It was a sound I could easily get caught up in, and I would love to see them perform again.

Spring King - Freedom Festival 2015

Spring King, fresh from Reading and Leeds festival stages and about to embark on a tour supporting Slaves, instantly got my attention as their guitarist threw himself and his instrument around. Whereas two of the band seemed pretty static, this guy and lead vocalist/drummer Tarek Musa seemed to exude endless energy. It was great to see a drummer fronting a band, though he was situated quite deep into the recesses of the stage.

Overall, I thoroughly enjoyed the weekend. The idea of Freedom was everywhere, with people being given the chance to voice their opinions as well as listening to the ideas of others. The variety of music and theatrical performances, spread over the weekend for thousands to attend. And all for free!

Here’s to Freedom 2016.

Highlights of the Humber Street Sesh

Humber Street Sesh is a moment of joy, written into my diary before the new year has even started. It is where my blog began – the moment, last year, when I decided to start writing again.

And so I decided to treat the festival like one giant Sesh.

I try to attend as many Tuesday Sesh nights as possible, which is difficult when you work a Monday-Friday day-job (and also want to attend gigs on Wednesday, Thursday, Friday and Saturday). My rule for Sesh is simple: either I have to be entirely free (a school holiday with no plans to catch up with friends or other work business involving Browse) or I have to be enticed by one of the bands. This meant that I didn’t use Street Sesh as a means of finding those bands I haven’t seen before. If I stumbled past one, great, but if I didn’t, no worries. There’s plenty of time for this at other Hull festivals – we’ve got Folk Festival, Freedom Festival and Trinity Festival in the coming weeks.

So, instead of reviewing everything here (after all, you can read my reviews of the festival on other platforms), I’m going to give my highlights of the day, in no particular order.

BABIES

Ryan Smith, Babies
Ryan Smith, Babies

It’s been long enough since they announced their split for me to cool down about it. I had expressed my upset to lead vocalist Ryan, but assured him that I would support them until the end. Performing on the Newcomers Stage, it seemed haunting that this was their last performance together.

I stood before the stage minutes before they were due to start, and noticed that there was some issue with a gizmo in Ryan’s hands. This issue seemed to be fixed, but it did lead to technical difficulties throughout their set. Fortunately, Babies have become used to this misfortune (at their EP launch it was Joe’s lead which lead to us not hearing his bass at all) and performed to their best ability.

Full of energy, full of smiles, Babies performed their last set with passion. The scattered crowd – their stage placed on Victoria Pier, they seemed to tower over us – congratulated them loudly as they concluded, and I spotted a couple of faces wash with momentary sadness.

All the best to the boys of Babies and their future endeavours. I doubt this is the last we’ve heard from them; music lovers tend to get drawn back in at some point.

LIFE

Mez Green, Life
Mez Green, Life

It was this time last year when I was first introduced to Life, before embarking on my first press conference with these boys. So, I just had to see them perform Street Sesh again.

The Main Stage had the largest gap between performers and audience, with quite a drop were a member of the band to jump down and try to physically engage with the audience. And that’s a typical part of Life’s performance; Mez hurling himself at the crowd in a fit of energy.

I hadn’t needed to worry. Their set was as wonderful as ever. Mez moved around the entire stage, he and his brother Mick stepping over the monitors onto a platform just before the stage, conversing with the audience. Stewart Baxter, stepping in for Rich on drums, was all energy – it’s often such a shame the drummer gets hidden at the back of the stage.

The band had also been in the crowd for Babies, with Mez taking a moment of their set to comment on the band and wish them all well. Before launching – literally – back into the music, taking that dive off the stage to meet the crowd and circle the grass before the barrier during ‘Take Off With You’.

STREAMING LIGHTS

Another band who are all energy is Streaming Lights, who have been a highlight in the music scene for the last twelve months for me. I don’t think I’ve missed one of their gigs so far this year, and they never disappoint.

Performing on the Dead Bod stage, they were sandwiched between two equally popular acts – Folk royalty Hillbilly Troupe and the fantastic Danny Landau Band. Lead vocalist Steve Minns stated at the start of the set that their sound was quite different to that of the others which fit more comfortably into the Folk genre, though it worked to introduce the more rock sound Danny Landau offers.

Sadly, the lighting was too much for my camera. So I pinched this photograph of Streaming Lights from Paul Newbon.
Sadly, the lighting was too much for my camera. So I pinched this photograph of Streaming Lights from Paul Newbon.

Still, it didn’t matter whether or not they fit into the genre of the stage – that’s one of the joys of the Sesh, that all genres are represented and get their chance to perform to a diverse audience. The crowd remained, shifting slightly as some moved backwards to the Minerva bar and others moved forward to embrace the music.

Streaming Lights have adapted their set recently, taking on more instrumentals and with a range of new songs in addition to bringing back some of their older rockier tunes. A thoroughly positive performance, the crowd reacted with equal vitality; at one point what appeared to be an item of clothing being thrown onto the stage, to which Ryan Gibbins retaliated by hurling toilet roll into the audience.

They even teased the audience with my favourite song – possibly their only slow one – ‘Slipper Song’, Steve singing the first word before announcing “it’s not the night for it”, and instead launching into their latest single, ‘Box Room Boy’.

Fantastic stuff, keeping the energy at a high and ensuring that the cold of the darkening sky didn’t get a chance to seep in.

BABY TOOTH

This was the first time I had seen Baby Tooth perform. I only caught the very end of their set on the Green Bricks Stage, and I was impressed that their live sound is pretty much what you hear on their recorded tracks.

What captivated me even further was what happened when they realised there was another ten minutes in which they were entitled to perform. Instead of launching into an original song or a cover of a popular grunge track, which would match their look, lead singer Nanny McGee unhooked the microphone from the stand and launched into a rather psychedelic version of ‘The Real Slim Shady’. It was totally unexpected and hilariously different to their look, but executed perfectly. I was amazing, grinning throughout the performance.

COAVES

I’d expressed the difficulty in which I had in selecting a headliner when such a wonderful selection was on offer. My decision to see Coaves was based on a number of things: the Newcomers Stage was in close proximity to the Dead Bod stage where I was seconds before; it was drummer Conor’s birthday, and I’d started the day with him supporting Mark Rowland in the Acoustic Marquee; and, simply, they are bloody brilliant.

The crowd was scattered. There were ten other amazing acts on, so this wasn’t a surprise. But for Coaves, this was fine because you need space to move. Their set is fuelled entirely by high octane energy, and this is mirrored in the reaction from the crowd.

They concluded with ‘Change Your Mind’, Jonny inviting everyone to have “a really good dance”. And with the addition of a new outro, all four members huddled around the drumkit, and two confetti cannons to just clinch that loud, frantic ending which you just don’t forget easily.

I’ve heard amazing things about the all of the headliners, but as someone who’s also been a part of the local music scene for around a year the Newcomers Stage felt appropriate. An amazing day for everyone, with eleven amazing headline acts sending the crowds away from the marina with smiles on their faces and all the adrenalin to fuel whatever they planned for the rest of the night, whether that be at the official After Party or not.

Artwork on Victoria Pier
Part of the Photography Exhibition on Victoria Pier

On top of all this, I was proud to see just how involved members of Browse were in the festival. Our Arts Editor Lucy Howson was painting live alongside other artists. Three of our photographers, including my good friend Paul Newbon, featured in the Photography exhibition which spread across Humber Street and Victoria Pier. And our Editor-in-chief Mike White was a headliner himself, DJing inside the Silent Disco.

A festival for the people by the people of Hull – everyone involved, in whatever role, should be very feeling very positive right now.

Humber Street Sesh – Decisions to be made…

Next weekend, on the first day of August, Hull Marina will be taken over by Humber Street Sesh. And with over 180 acts across twelve stages, how are you possibly going to plan your day and get to see everything?

If you’re me, and you’ve worked with several of these artists, you’re in a losing situation: there’s going to be a clash somewhere. But if you don’t have that issue, and you’re just out to soak up as many acts as possible, you may still consider planning your day beforehand.

I’m not saying that to make the most of HSS, you have to plan. No way! By all means, wandering rather aimlessly is a fantastic way to come across a diverse range of bands, solo singers and artists of all shades. By all means, discard the map, let your feet make the decisions. I’ve stumbled across some amazing bands this way: Streaming Lights, King No-One, LIFE

But, if you’re a little bit like me, then you’ll want to plan out at least some of the day.

Stages list
Stages list (click to enlarge)

So, my first suggestion is that you pick a genre. Let’s say you just want to see guitar-fuelled indie rock. It’s a popular genre for festivals. And Hull has loads of such performers. You’re going to want to start at the Hull College Group Newcomers Stage, with The Magdalenes kicking things off at 11:40. Stick around for a couple more acts – maybe have a picnic in front of the stage – because The Shed Club and Office Party are well worth your time. They’ll be the perfect indie warm up. Next, I’d advise the Alternative Main Stage: to be honest, to cover the sub-genres of indie, you want this to be your comfort zone of the festival. At 3pm, you’ve got BREEZE followed by Audio Subscene and Affairs. For the evening selection, head over to the Green Bricks Stage, where Rebel Sell perform at 5:30, followed by Magic Carpet Factory; two fantastic bands, who I certainly aim to see. You want to settle yourself here, or end up back at the Alternative Main Stage for the duration of the evening, taking in either headliners Age of Atlas or Black Delta Movement.

Stages list
Stages list (click to enlarge)

My second suggestion is pot luck. Pre-prepared pot luck. The danger here is that you could end up running from each stage throughout the day, therefore tiring your feet out more than needed and being unable to dance as much you may want to. However, if you take out the stages which really don’t interest you – genre-wise – then at least you know that each selection is likely to please. Pick a time and then pull a stage out of a hat. You could start off with a Break Dance Workshop at the Sesh Urban Quarter, taking in the fringe options at Corn Exchange with Mr Sneaks, and ending up at the Newcomers Stage with Coaves.

Third option: build the noise. Start off mellow, and meander the stages until you’re fuelled with a heavy, loud sound. Test all genres, and see a full range of acts. You could start at the Acoustic Marquee with Mark Rowland and The Dyr Sister, two fabulous storytellers. Then try out the Speak Easy Stage, with the charming Neil Thomas and Will and Holly (Little Weather) who are on at 3:40. Then check out the Newcomers Stage with the last performance from Babies followed by Fronteers. You’ll want to head off at this point, as Cannibal Animal follow – too loud and energetic for just yet – over to the Dead Bod Stage for the full band Crooked Weather and Quicksilver Kings. By this point, it’ll be turning to night-time and you’ll be up for a dance. You could stick around here, because the next few bands are a lot of fun, but for more noise you want to be heading over to the Alternative Main Stage for La Bête Blooms. You can pick a genre for the end of the night, deciding on the one which best suits your mood: Ska at the University of Hull Main Stage with The Talks, featuring Neville Staple; the Fruit Stage for some hairy punk sounds from Ming City Rockers; or popular local metal artists at the Rock & Metal Warehouse with The Colour Line.

Silent Disco HSS2015
Silent Disco (click to enlarge)

You could plan your day based on the artists you know and love. As I say, this would cause major issues for me; mainly at 10pm when I’m ready to park myself in front of my chosen headliner. Coaves, a band I’ve done loads of work with and who have the perfect summer sound, are taking over the Newcomers Stage. The Finest Hour, hailing from over the bridge, are at Corn Exchange. Danny Landau Band, another funky summer sound, are on the Dead Bod Stage. I might even decide to support my editor at Browse in the Silent Disco tent. But then there’d be the Black Delta Movement versus The Talks argument I’ve been having since I first saw the line-up, as they take to the Main and Alternative Main Stages.

Fact is, there is no perfect plan. Because on top of the music, there’s art, there’s activities for the kids, there’s generally just bumping into friends and socialising. So perhaps the wandering aimlessly option is perfectly valid.

That, or you select no more than five acts – allowing both an element of organisation and the freedom to find new and wonderful acts unseen at previous festivals. If you do this, I can highly suggest stopping at the Youth Stage, where you’ll find Yasmin Coe headlining at 8:30pm (an early night for the young performers) who is launching her single ‘Nothing Better’, collaborated with Endoflevelbaddie, at the festival.

Whatever your plan of action, the day aims to be fantastic. A family festival for the people by the people of Hull.

See you there.

Just in case you want to plan - a map of the area.
Just in case you want to plan – a map of the area. (click to enlarge)

Streaming Lights Headline The Sesh 30.06.2015

Last time I was at the Sesh, we were interviewing Streaming Lights. On the stunning evening of the 30th, I met up with the lads again for their headline slot and launch of their new single ‘Box Room Boy’.

Imogen Hart
Imogen Hart

A small crowd had gathered quickly, there near the front of the room to support 16-year old Imogen Hart. This was her debut at Sesh, though she has performed at other events. Imogen has a voice which you can easily lose yourself in; her songs laced with emotions. There are many young singers surfacing – from Freedom Road Creative Arts, as Imogen has, as well as other institutes – and she is one of the brilliant performers who will be taking to the In Training Youth Stage at Humber Street Sesh.

It was a powerful warm-up which got you moving to the beat. Mak compared her to Emily Moulton, stating that he was “in awe” of her talents. I have to say that I am rather enjoying these Sesh nights which start with an acoustic act: after a long day at work, you often find the need to be gently eased into the mood.

Jon Calvert - Coaves
Jon Calvert – Coaves

Next up were Coaves, who don’t do anything in moderation. They started their set in high energy with ‘Waves’, a summery upbeat number which you’d struggle not to dance to. The crowd were clapping along, singing the chorus and moving with the boys on stage. Even with their slower tracks, all four bandmembers are bouncing with energy – it’s really quite intoxicating – Jonny climbing on the furniture and Liam spinning in circles.

The only downside to their set was that it lacked their usual outro: missing their heavy attack on the drumkit.

Fronteers
Fronteers

The Polar Bear was quite busy by the time Fronteers stepped up to the stage. This band is the one I have not seen for the longest time, having seen all three others on the bill in the last couple of months, and I was glad to see that they had grown in confidence. They’re developing their sound: less cover tracks and more conversation with the audience. But I still found it was lacking something. They had regular followers dancing in front of the stage, but their set didn’t work for me with that placement: sandwiched between two physically energetic bands, I felt there was a dip in on-stage charisma. Which is a shame, because I did enjoy their set – it just wasn’t the one I remembered upon waking up the following day.

And I was there mostly for Streaming Lights, headlining Sesh for the second time this year. Mak had warned the crowd that their set would be “eventful”, stating that they were “everyone’s favourite” as he welcomed them to the stage.

Steve Minns - Streaming Lights
Steve Minns – Streaming Lights

Opening track ‘Shake It Up’ seemed to act as an instruction; the crowd quickly regaining their energy. In between songs – those from album KICK, a few older ones and newer ones – Ryan handed out CDs of their latest single. People quickly moved forward to claim this prize, though sadly the music video had not been completed on time (it is now available on Youtube) for us to take home this piece of joy.

Their funky tunes had people moving in full swing, their entire body reacting the sound. Considering the heat we’ve had, it was impressive that people had this energy left. It was certainly a rather sweaty affair; bassist Ryan Gibbins declared “I need a Solaro” before they introduced ‘Box Room Boy’, intended this to be their penultimate song. However, ending with a long instrumental, and Steve Minns telling the crowd “I love you”, we called for more. Much more: this was the first time I had experienced a double encore at the Sesh, with Steve admitting that he wasn’t sure he could remember how to play any other songs. Mak was ready to lead them into more tunes, perhaps keeping them there all night, but it was not only us on the floor who had work in the morning.

A warm night of fantastic music from four extremely talented acts: The Polar Bear was well and truly struck by a wave of scorching energy this Sesh night.

Photos by Paul Newbon

The Big Gig – a small person’s perspective

Adka (a small person)
Adka (a small person)

I went to my second festival of the year today. The Big Gig festival: a new festival to come to Hull, aimed at integrating those who often feel socially marginalised. I went with a small group of friends, one of which was the toddler from whose perspective I have decided to write this review.

Meet Adka: she’s just turned two and she loves to bounce, run and generally get under people’s feet. She’s been brought up with local music having me around. This was her second Hull festival.


Aunty Chidders (that’s me by the way) had told me there would be pirates. She hadn’t told me that there would be a big musical bird. It was so big. And it made good sounds when I hit it with a foam stick. The lady let me have as many sticks as I wanted, and we were all allowed to try and make as many noises as we could. This was fun.

With mama and the mermaid in the Pirate Experience
With mama and the mermaid in the Pirate Experience

But then I saw the pirates and I wanted to see their show. It was a Senses show, and we were allowed to join in. We went into a dark tent, where we were given musical instruments. I had two: a weird thing with beads and a maraca. We played the instruments loudly while a pirate sang a song about being out at sea. I was also given a glowing fan, which was cool and had lights which flashed and made the tent look really nice. Then, we met a mermaid who sang to us all. Then, there was a fight, which scared me a little bit. The pirates were fighting about gold bars, which the adults found funny.

I was quite tired though, as I usually have a snooze at this time of the day. So after this, the adults had something to eat while I slept.

Joining in with the Sunshine music
Joining in with the Sunshine music

When I woke up, we were inside again. There were more instruments, so I wasn’t even grumpy! We were asked to sit in a big circle  and then a Sunshine Music lady gave us all an instrument. I had some bells and Aunty Chidders gave me a drumstick which was really good at poking people. I tried as many of the drums out as people would let me – most were happy to share – and then I sat with mama while we made loud and quiet noises. I enjoyed this, but it did get too loud.

That was the only problem with the day. I like the bands – one of my favourite songs is ‘Modern Disco’ by Streaming Lights – but it was very loud in the main stage area. Aunty Chidders was going to introduce me to them, but that Nineties Boy was rapping too loudly and I got scared. There was a good crowd in that room, and other children were happy to dance near the stage, but I wasn’t sure about it.

Sorry that I didn't get to see you play, Streaming Lights. Did you play my favourite song?
Sorry that I didn’t get to see you play, Streaming Lights. Did you play my favourite song?

That was okay, because there was still plenty to do outside. I went to the big musical bird again, and then there were games on the lawn. I especially liked playing Connect Four (well tidying up the Connect Four and making it somewhat more difficult for the others to play when she found how to release the counters) with a couple of other children, who were very friendly.

Everyone was friendly. They let me into the Pirate Experience a second time and let me out again before the shouting pirates came on.

Aunty Chidders stayed a little longer to watch some of her favourite bands, but five hours was enough for me and my parents. I really enjoyed the Big Gig. Can I come back next year?

I did like the big musical bird.
I did like the big musical bird.

It was a day for everyone. Aimed at those with learning disabilities, there was so much thought into ensuring everyone had access. There were areas designed for wheelchair users to ensure that they could see the music stages and spaces made for them to join in all of the activities.

Though we didn’t have anyone in our group with a learning disability, toddlers and their parents can often feel there is not a proper place for them at a music festival. This was not the case here. Adka, her parents, and my other friends all declared that they had a really enjoyable day. Many festivals claim they are family-friendly; not all of them succeed in this. Big Gig did.

I, too, look forward to returning next year.